By Kameelah Janan Rasheed
New York, NY, Printed Matter, 2019
Dimensions: 6 in X 9 in
Process: black and white offset and screenprint
Color: black ink throughout
Edition size: 1000
Kameelah Janan Rasheed has been doing fascinating work with all sorts of archival materials, Black family photos, found texts and more for quite some time. It is exciting to see her collaborating with our friends at Printed Matter on this ambitious artist book that has the special production design and great object quality her work deserves. There are artist books by definition that function just fine, and there are artist books that truly make you feel like you are holding a great work of art in your hands. This is definitely the latter.
From the publisher:
No New Theories builds on Kameelah Janan Rasheed’s accretive and associative installation work, bringing together xerox abstractions, poetic text fragments, and found as well as original photography to explore learning and unlearning as a spiritual, socio-political, ecological, and cognitive process.
With No New Theories Rasheed freely assembles her own writing, autocorrect algorithms, and Oulipian poems (short texts generated with the help of imposed constraints) alongside visuals drawn from her personal image archive, pop culture, zoological journals, quranic verses, and other sources. The work gathers these threads with an emphasis on the processes of revision and improvisation as she considers the entropic potential of meaning in place of fixed definitions.
At the heart of No New Theories is an expansive interview between Rasheed and Jessica Lynne, co-founder of the art criticism journal ARTS.BLACK. The conversation attempts to document their intellectual partnership, constructed through a layering process by which the original exchange is reworked and expanded with annotations, citations, and excerpted texts from writers Samuel R. Delany, Alexis Pauline Gumbs, Emily Dickinson, and others.
Rasheed and Lynne take on questions of epistemology and pedagogy, the nature of research, knowledge-acquisition, as well as patience and fatigue. Building on the notion of the ‘organic archive’ — both as a fictional organizing framework and as a score for possible experiences — the two consider various historical, sociological, and cultural facets of Americana, proposing a multi-directional discourse around the wide permutations of Black experience. The book’s title — No New Theories — locates Blackness as a multivalent and porous experience that cannot and should not be neatly theorized.
No New Theories is published by Printed Matter, Inc. Produced in an edition of 1,000 copies, paperback, black & white, 256 p., 9x6 in., otabound, with a high gloss silkscreen cover, edge-printing, and suede-ink bookmark.