By: Rebecca Zorach, editor. Mary Jane Jacob and Kate Zeller, series editors.
Chicago: School of the Art Institute of Chicago, 2015
Pages: 240
Dimensions: 6 in” x 9” in
Cover: soft cover
Binding: perfect bound
Process:Digital
Color: color cover, black and white insides with 50 illustrations
Edition Size: unknown
ISBN: 978-0-9828798-3-2

A powerful addition to the Chicago Social Practice History Series. A nice reprint section and new essay on the project Prisoners' Inventions by Temporary Services and our collaborator Angelo are part of this edition. There's also a special section on our late friend and mentor Michael Piazza. Some of the many other contributors and featured artists are: Laurie Jo Reynolds, Mary Patten, Claire Pentecost, Mariame Kaba, Jim Duignan, Lavie Raven, Rozalinda Borcila, Tom Tresser, Sarah Kanouse, Anne Elizabeth Moore, Lisa Junkin Lopez, Benneth Lee, Nicole Marroquin, Nicolas Lampert, Erica Meiner and Sarah Ross, and more. An essential compilation of histories that in many cases are very hard to find or had never been properly compiled before this book.

From the publisher:

In 1968, Chicago made headlines for the ferocity of its police response to protesters at the Democratic National Convention, prompting outrage in the art world. Some artists pulled their shows from the city and called for a boycott until the mayor left office. But others responded artistically, creating new works and even full exhibitions in reaction to the political and social issues raised by the summer’s events.

Despite the city's sometimes notorious political and social history, art practices that challenge authority have thrived in Chicago. Art Against the Law examines the creative tactics of the city’s activist artists and their ways of addressing the broad definitions of the law—from responses to excessive policing to inequities in public policy. These include creative forms of protest, rebellion against the law through illegal art practices, and using the political system itself as an art medium to alter existing laws. The essays and conversations in this volume also address the boundaries between art and creative activism and question whether lines should be drawn at all. Through these texts and interviews, Art Against the Law proves that creative imagination can be formidable in challenging the status quo.

Art Against the Law is part of the new Chicago Social Practice History series, edited by Mary Jane Jacob and Kate Zeller in the Department of Exhibitions and Exhibition Studies at the School of the Art Institute of Chicago (SAIC).